By Andy Bennett
* what's the dating among formative years tradition and well known music?* How have they developed because the moment international war?* What will we study from an international perspective?In this energetic and obtainable textual content, Andy Bennett provides a entire cultural, social and old evaluation of post-war renowned song genres, from rock 'n' roll and psychedelic pop, via punk and heavy steel, to rap, rave and techno. offering a bankruptcy by way of bankruptcy account, Bennett additionally examines the style-based formative years cultures to which such genres have given upward push. Drawing on key examine in sociology, media stories and cultural reports, the booklet considers the cultural importance of respective post-war well known tune genres for younger audiences, on the subject of concerns corresponding to area and position, ethnicity, gender, creativity, schooling and rest. A key function of the booklet is its departure from traditional Anglo-American views. as well as British and US examples, the publication refers to reports carried out in Germany, Holland, Sweden, Israel, Australia, New Zealand, Mexico, Japan, Russia and Hungary, featuring the cultural dating among formative years tradition and renowned tune as a very international phenomenon. (20031027)
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Extra info for Cultures of Popular Music (Issues in Cultural & Media Studies)
It was the end of an era for teenage Bette Midler. She said “aloha” to Hawaii—and off she flew for New York City to become a star of the theater. Everybody has dreams, but few people really put them into action. However, Bette was determined to make sure that hers came true. 3 FROM PINEAPPLES TO THE BIG APPLE When Bette Midler arrived in New York City, she wanted to live right in the middle of the theater district. Times Square, the Great White Way, the home of Broadway shows, opening nights, dinners at Sardi’s, limousines, and the stars of stage and screen.
At the time it seemed like such a natural move, since her elaborate stage shows and dramatic story-songs featured such varied role-playing. Although the path has at times been bumpy, she has produced a body of filmed and recorded work that is awesome in breadth and impressive in scope. How incredible to think that since that time she has starred in well over twenty films and has recorded and released over eighteen albums! She has also had some of the most memorable movie roles in the last thirty years of cinema.
I was always perfectly sure. I couldn’t think of anything else to be,” remembers Bette (24). I really liked the theater better than anything else” (11). Of the music that Bette was exposed to at that time, she remembers mostly what she heard on the radio airwaves. “I used to listen to the radio a lot,” she recalls, “but always AM. Before rock & roll it was mostly white music. I didn’t get into rhythm and blues until later on in rock & roll like the early sixties. I loved the girl groups and I loved straight ahead rock & roll: the Coasters, and the Del Vikings, and the Skyliners.
Cultures of Popular Music (Issues in Cultural & Media Studies) by Andy Bennett