By Natalie Dybisz
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Additional resources for Creative Portrait Photography: Innovative Digital Portraiture to Reveal the Inner Subject
I sent them to the team for 70 | URBAN PORTRAITS their portfolios and they each had their favorites from the day. It took me a while to realize that the shoot’s multi-faceted nature was a good thing, and that the choice and presentation of the images was the key to any end meaning. It was primarily a lesson for me on the importance of candidness in a shoot, the importance of afterthought, and to allow even the most seemingly irrelevant inspirations to take a welcome place in one’s photographic approach—Chris Dorley-Brown even complimented the images when I put them online!
My intention was then to remove the stool in Photoshop by using a blank image of the scene. Back inside the studio, the shooting continued as a group using the natural light coming from the skylight of the studio. In the last moments before lunchtime, I shot some portraits of Mette under the skylight. The downward direction of the light darkened the background, automatically cutting out the clutter of the studio. On a whim, I had Mette put on my big fur coat, gave her a lantern prop, and directed her to jump in the air, where I caught her movement.
80 | INTERIORS ILEX INSTANT ILEX INSTANT In a bedroom in London WHEN MAKING A SELF-PORTRAIT, I’VE ALWAYS SAID THAT SPONTANEITY CAN, AND SHOULD, SEEP INTO THE PROCESS IN ORDER TO COUNTERACT THE BLINDNESS OF ARTISTIC VISION THAT CAN OCCUR WHEN YOU ARE ON BOTH SIDES OF THE LENS. T his self-portrait is a testament to that notion, and encapsulates the wonderful organic nature of the process of creating a portrait: embracing something you didn’t quite expect. It is an excellent example of unconventional framing and cropping to elicit a candid, almost accidental quality.
Creative Portrait Photography: Innovative Digital Portraiture to Reveal the Inner Subject by Natalie Dybisz