By Pauline Turner Strong
This booklet reexamines the Anglo-American literary style referred to as the “Indian captivity narrative” within the context of the complicated old perform of captivity throughout cultural borders in colonial North the USA. This certain and nuanced learn of the connection among perform and illustration at the one hand, and id and alterity at the different. it's a big contribution to cultural reports, American reports, local American reviews, women’s stories, and historic anthropology.
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Additional resources for Captive Selves, Captivating Others: The Politics and Poetics of Colonial American Captivity Narratives
12 Introduction The Native American context of captivity has been particularly neglected or distorted in literary studies. As Pearce later acknowledged (1974), his study of captivity narratives entirely neglected Indians as a cultural (as opposed to an ideological) reality; and Slotkin's broad generalizations about Indians resemble nothing so much as James Fenimore Cooper's. More ethnographically sensitive but still prone to overgeneralize across indigenous cultures is Richard VanDerBeets (1972b, 1984), who suggests how ritual practices such as the gauntlet contributed to the structure of captivity as an initiation.
Following this wary exchange, Frobisher and the ship's master attempted to seize two men, "bring them aboard, with intent, to bestow certain toys and apparel upon the one, and so to dismiss him with, all arguments of courtesy, and retain the other for an interpreter" (Best 1938 :59). "19 They broke loose and a fight ensued, in the course of which Frobisher was wounded and one Inuit was tackled and captured. ) When the explorers subsequently discovered an abandoned winter settlement, they brought the captive ashore "to declare the use of such things as we saw," noted Best.
1 extend the term to include, in addition, the convergence of these complex Native American practices with European practices. See also Haefeli and Sweeney 1995 and Salisbury 1997. 14. In addition to Foucault and Said, I have been particularly influenced by the lectures and writings of Bernard S. Cohn (1983, 1985, 1996), John Comaroff and Jean Comaroff (1992), Raymond D. Fogelson (1974, 1982, 1985, 1987, 1989), Stephen Greenblatt (1976,1991), and George W. Stocking, Jr. (1968b, 1985, 1987, 1991,1992).
Captive Selves, Captivating Others: The Politics and Poetics of Colonial American Captivity Narratives by Pauline Turner Strong