Babbling Corpse: Vaporwave And The Commodification Of Ghosts by Grafton Tanner PDF

By Grafton Tanner

ISBN-10: 1782797599

ISBN-13: 9781782797593

In the age of worldwide capitalism, vaporwave celebrates and undermines the digital ghosts haunting the nostalgia undefined. Ours is a time of ghosts in machines, killing that means and exposing the gaps inherent within the digital media that pervade our lives. Vaporwave is an youngster musical micro-genre that foregrounds the horror of digital media's skill to seem - as media theorist Jeffrey Sconce phrases it - "haunted." Experimental musicians similar to net membership and MACINTOSH PLUS manage Muzak and advertisement track to undermine the commodification of nostalgia within the age of worldwide capitalism whereas accentuating the uncanny houses of digital track creation. Babbling Corpse unearths vaporwave's many intersections with politics, media concept, and our current fascination with uncanny, co(s)mic horror. The e-book is geared toward these drawn to worldwide capitalism's impact on artwork, musical raids on mainstream "indie" and well known tune, and an individual intrigued through the altering dating among artwork and commerce.

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The Internet is where we can read a news report about a drone strike while watching Japanese pornography, and artists like Murata and OPN foreground this fact as both repulsive and appealing. Visual artist Jon Rafman’s video for OPN’s “Still Life” plays like a “Worst Hits of the Internet”: a furry trapped in quicksand, flashing images of hentai, a man wearing girls’ panties on his face while holding two guns to each of his temples. In Rafman’s video, all things are equal and equally horrifying.

This sentiment is obviously self-destructive, but the aesthetic decision to destroy a work of art from the inside out (including all humans along with it) has been utilized in other films in the 2010s, including Lars von Trier’s end-of-the-world tale, Melancholia (2011), as well as the Adult Swim viral hit Too Many Cooks (2014). A short “infomercial” that aired on Adult Swim early one late-October morning, writer-director Casper Kelly’s Too Many Cooks is a surreal and violent parody of a cutesy 90s-style family sitcom that struggles to move past the title sequence, frequently morphs into various other television genres, and culminates in the majority of the characters either trapped in their roles forever or murdered by an omnipresent killer.

Sure, it’s shocking, but human beings have always been like this; only now we have the Internet to reveal for ourselves just how shocking. In addition to OPN, the Sacramento-based musical group Death Grips are known for dredging from the deep web in order to bring the alien things found therein to our surface world. Like many vaporwave producers, Death Grips take inspiration from the weirder side of the Internet. Their memorable rollout plan for 2012’s incredible NO LOVE DEEP WEB involved an extensive alternate-reality game (ARG) that used the very fabric of the Internet to promote it.

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Babbling Corpse: Vaporwave And The Commodification Of Ghosts by Grafton Tanner

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